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Green Above The Blades B
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Falt France
A tape label; noise composition & konkrete musik wrapped in paper.
faltradio.substack.com/welcome
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supported by 16 fans who also own “Green Above The Blades”
A totally absorbing album, I love how the subtleties and intricacies grab and hold your attention. Melodies and rhythms weave around drone and noise elements which themselves have great movement. Field recordings add tension, at times there's a mechanical feel yet each song also feels like an unfolding story that you are a part of.
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Zerbrechliche Commons
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Nurformal
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"...a dynamic soundscape across a broad frequency range with what could be elements of field recordings suggesting our natural world. These textures give way to multiple shifting pitches, subtle humming drones, tape hiss, and fluid ambiances. A brief repose and a hauntingly abstract melody of uncertain source surfaces. Side B reveals an imposing atmosphere buttressed with multiple tones that somehow convey texture more than intervallic relationships." -excerpt from Deft Esoterica issue 1
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Amaro
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The new album from electroacoustic composer Jeremy Young is draped in a sense of mystery, tones flickering gently, like an old home movie.
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David Ciampalini, founder of the Ambient-Noise Collective, bridges musique concrete with psychedelic soundscapes on his debut solo LP.
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Fifty One
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Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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Variations on Plastic
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To inaugurate "Hemisphäre", Philip Sulidae is at its best! I can not say too much what seduces me in his art. Is it the balance between the calm passages and the more intense moments, the numerous textures sought, the multiple tracks of subtle details arranged? His work charms me as if he used the secret algorithm of a perfect aesthetic balance. To appreciate it properly, this high level experimental music must be listened to with a good quality headphones!
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